Journal
From the studio
Beauty
Makeup for Dark Skin: What Most Artists Still Get Wrong
Working with dark and deep skin tones requires a completely different approach — from skincare preparation to foundation selection, sculpting technique and colour choices. Here is what I have learned.
Rome, 2026
Beauty
Makeup for Asian Skin: Why Most Artists Get It Wrong
Asian skin is not harder to work with — it's different. And that difference, when understood, becomes your greatest asset. Here's how I approach makeup for Asian features.
Rome, 2026
Philosophy
Why I'll Never Do Heavy Makeup — And Why That's a Luxury
Heavy makeup is easy. Anyone can pile on product and call it glamour. What takes skill — real skill — is knowing what not to do. This is my philosophy, and why it costs what it costs.
Rome, 2026
Beauty
Why I Only Work With Chanel, Dior and Giorgio Armani Beauty
A makeup artist who doesn't invest in her own skin has no business touching yours. Here's why the products in my kit are never a compromise — and why that matters for every client I work with.
Rome, 2026
Editorial
The Art of Soft Glam in Editorial
How restraint and precision define the best editorial makeup looks coming out of Rome.
Rome, 2025